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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the pair scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a seminal work of electronic music.

He later formed the innovative electronic act The Grid, who achieved chart success with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I ended up damage myself quite a bit," he commented in 2023. "I fractured spinal bones in my back and fractured about five ribs and fractured my wrist."

After contracting pneumonia and suffering from sepsis, he was put in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, called Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we actually completed only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the knowledge that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant part of my life and for the music you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is different from being in a group, the connection is incredibly close," he continued.
"That's how it was with us. We went through so many extraordinary, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Formative Years

Born into a one-parent family in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with his new family his caregivers, who changed his given name from Paul to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Fuelled by a shared love of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The pair were an distinctive combination: Ball was the quiet musician, bent over his synthesizer, while Almond was a charismatic performer, all glitter and makeup; but they attained a unique creative synergy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on a television science show a popular series, and began to combine dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting 21 million units worldwide. Together with hits by Gary Numan, Human League and Ultravox, it helped paved the path for the electronic music style of the 80s.

The song was also featured on their first album, their initial LP, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to afford my initial property, having money and travelling, which makes me sound like a Miss World," Ball recently shared with a publication.

But it also caused challenges. "Newfound wealth allowed we could purchase newfound drugs to alleviate the boredom" of press appearances and television shows, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it applies for so many bands."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out another album, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting album Cruelty Without Beauty.

After a further hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the large venue on September 30, that year.

Yet, they remained active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's upcoming release as a homage to the NYC nightlife they frequented while recording their first two albums.

He added that his period in hospital had influenced the group's music.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he told a publication.
"The new songs are a digital reflection of the sounds in my mind from that time.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were finished only days before Ball passed away. It is due for release in the spring of 2026.

By

Grant Miller

Elena is a sustainability advocate and freelance writer passionate about eco-friendly living and green innovation.

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